{"id":37946,"date":"2020-01-02T08:28:39","date_gmt":"2020-01-02T16:28:39","guid":{"rendered":"https:\/\/www.enxmag.com\/twii\/?p=37946"},"modified":"2020-01-02T08:28:43","modified_gmt":"2020-01-02T16:28:43","slug":"artist-embraces-beams-of-light-to-create-unique-glass-artwork-with-epson-projection","status":"publish","type":"post","link":"https:\/\/www.enxmag.com\/twii\/news\/2020\/01\/artist-embraces-beams-of-light-to-create-unique-glass-artwork-with-epson-projection\/","title":{"rendered":"Artist Embraces Beams of Light to Create Unique Glass Artwork with Epson Projection"},"content":{"rendered":"\n<p><em>Long Beach, CA (Dec. 12, 2019)<\/em> \u2014 Artist Michael Skura had been working with hand-blown glass for more than a decade when one day a single beam of light passing through a piece of glass in his studio caught his eye. The effect was both magical and subtle, inspiring him to explore the possibilities of light and glass through controlled illumination and projection. Just over five years later Skura and collaborators AJ Freysteinson, Creative Director at RabCup, and Meghan Athavale, CEO of LUMOplay, are using 19 Epson LightScene accent lighting and three PowerLite L615U laser projectors to illuminate an interactive light art exhibit that is responsive to movement and sound. The exhibit, entitled \u201cTendrils,\u201d is currently running at the Riverside Art Museum, in conjunction with The Festival of Lights, in Riverside, California.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" width=\"1024\" height=\"623\" src=\"https:\/\/www.enxmag.com\/twii\/wp-content\/uploads\/2020\/01\/Epson-1024x623.jpg\" alt=\"\" class=\"wp-image-37947\" srcset=\"https:\/\/www.enxmag.com\/twii\/wp-content\/uploads\/2020\/01\/Epson-1024x623.jpg 1024w, https:\/\/www.enxmag.com\/twii\/wp-content\/uploads\/2020\/01\/Epson-300x183.jpg 300w, https:\/\/www.enxmag.com\/twii\/wp-content\/uploads\/2020\/01\/Epson-768x467.jpg 768w, https:\/\/www.enxmag.com\/twii\/wp-content\/uploads\/2020\/01\/Epson.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>\u201cFrom a single beam of light playing on a piece of glass, to the complex effects created by video and color, this has been a fascinating process of discovery and invention\u201d, said Skura. \u201cLight has become the central focus of my work. The possibilities to recreate and amplify light are greatly expanded with Epson laser solutions. The projectors provide intriguing lighting phenomena and prismatic color separations without aesthetically taking over the exhibit.\u201d<\/p>\n\n\n\n<p><strong>\u201cTendrils\u201d Technology and Tools<\/strong><\/p>\n\n\n\n<p>The installations that comprise \u201cTendrils\u201d are designed to push the boundaries of materials and technologies and celebrate the essence and creative expression of the materials. Instead of fighting the natural inclinations of molten glass which many glass artists see as defects, Skura \u201ccoaches\u201d glass to have a mind of its own, asserting itself through distortions, bubbles, debris, and stress marks. Lighting, interactive technology and gaming technology are integral to crafting responsive sculptures that change and flow with the movements of passersby, encouraging visitors to slow down, observe, and embrace a mindful, meditative and receptive state.<\/p>\n\n\n\n<p>Blending technology with artistic vision, the installation required sophisticated methods to amplify the interactive effect of the light on the glass elements. Skura employed more than 20 Epson laser projectors to illuminate the art pieces, rigging them discretely throughout the exhibit. He worked closely with Freysteinson on content creation, design and production, and with Athavale to coordinate content across all projectors, creating the interactive aspects for each piece using LUMOplay interactive display software.<\/p>\n\n\n\n<p>The first piece, titled \u201cShy,\u201d transforms over 500 pieces of wall-mounted hand-blown glass into an undulating array of elusive, twinkling creatures. As the motion slows and quiets around the shy wall, the glass pieces gradually illuminate and come forward to meet and interact with visitors. Sudden movements and loud sounds result in a quick scamper away into the darkness of the black wall. A second piece, called \u201cTelevision,\u201d displays large glass orbs on a wall-mounted board with proportions resembling a flat panel TV. Video content is mapped only on the glass, producing light tendrils and a motion sensor that triggers additional distortion of the image, similar to pebbles in a reflecting pool, when viewers are still and quiet.<\/p>\n\n\n\n<p>\u201cSkura\u2019s unique vision, from the colors he has chosen to the sculptural element of his work, explores the contrast between purity and complexity, brightness and darkness,\u201d said Remi Del Mar, senior product manager, Epson America, Inc. \u201cLight is a significant component in his art, and being able to introduce Epson\u2019s projection technology as a source of light in this impressive installation is a step toward the future \u2013 where we see the lines between art, technology and human experience continue to blur.\u201d<\/p>\n\n\n\n<p>The \u201cTendrils\u201d exhibit is free and open to the public and will run through Jan. 5, 2020 at the Riverside Art Museum in Riverside, California.<\/p>\n\n\n\n<p>###<\/p>\n\n\n\n<p><strong>About Michael Skura<\/strong><br>An architect by training, <a href=\"http:\/\/michaelskura.com\">Michael Skura<\/a> was inspired by modernist notions of the honesty of materials and simplification of form. His hand-blown glass artwork consists primarily of heavy masses of glass with \u201cbubbles inside bubbles\u201d and is conceived of as large-scale organic wall clusters. Skura studied architecture at the University of Waterloo in Canada, worked for Norman Foster in London, and then moved to New York where he joined international engineering firm Ove Arup. Skura specialized early on in the medium of glass, exploring slumping, fusing, curving, laminating and ultimately glassblowing. <\/p>\n\n\n\n<p><strong>About LUMOplay<\/strong><br><a href=\"http:\/\/LUMOplay.com\">LUMOplay<\/a> is a complete platform to create, deploy, manage, and analyze interactive retail and education experiences. Their solution includes hundreds of high-quality apps designed for interactive floor, wall, and touchscreen displays, and patented code-free content creation tools for agencies. <\/p>\n\n\n\n<p><strong>About RabCup<\/strong><br>Based in Los Angeles, <a href=\"http:\/\/rabcup.com\">Rabcup<\/a> is a full-service tech-driven production company specializing in projection mapping, holograms and unique video solutions. The company is also known for conceptualizing, designing and executing unique and breathtaking experiences. They think outside of the box to develop fresh, unprecedented, and engaging video solutions with projects spanning from theatre, broadcast, film, live events, music touring, festivals, corporate events, retail and museum exhibits. <\/p>\n\n\n\n<p><strong>About Epson<\/strong><br><a href=\"http:\/\/epson.com\">Epson<\/a> is a global technology leader dedicated to becoming indispensable to society by connecting people, things and information with its original efficient, compact and precision technologies. The company is focused on driving innovations and exceeding customer expectations in inkjet, visual communications, wearables and robotics, and leads the field in original microdevices. Epson is proud of its contributions to realizing a sustainable society and its ongoing efforts to realizing the United Nations\u2019 Sustainable Development Goals.<\/p>\n\n\n\n<p>Led by the Japan-based Seiko Epson Corporation, the worldwide Epson Group generates annual sales of more than U.S. $10 billion.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Long Beach, CA (Dec. 12, 2019) \u2014 Artist Michael Skura had been working with hand-blown glass for more than a decade when one day a single beam of light passing through a piece of glass in his studio caught his eye. The effect was both magical and subtle, inspiring him to explore the possibilities of light and glass through controlled illumination and projection. Just over five years later Skura and collaborators AJ Freysteinson, Creative Director at RabCup, and Meghan Athavale, CEO of LUMOplay, are using 19 Epson LightScene accent lighting and three PowerLite L615U laser projectors to illuminate an interactive light art exhibit that is responsive to movement and sound. The exhibit, entitled \u201cTendrils,\u201d is currently running at the Riverside Art Museum, in conjunction with The Festival of Lights, in Riverside, California. \u201cFrom a single beam of light playing on a piece of glass, to the complex effects created by video and color, this has been a fascinating process of discovery and invention\u201d, said Skura. \u201cLight has become the central focus of my work. The possibilities to recreate and amplify light are greatly expanded with Epson laser solutions. The projectors provide intriguing lighting phenomena and prismatic color separations without aesthetically taking over the exhibit.\u201d \u201cTendrils\u201d Technology and Tools The installations that comprise \u201cTendrils\u201d are designed to push the boundaries of materials and technologies and celebrate the essence and creative expression of the materials. Instead of fighting the natural inclinations of molten glass which many glass artists see as defects, Skura \u201ccoaches\u201d glass to have a mind of its own, asserting itself through distortions, bubbles, debris, and stress marks. Lighting, interactive technology and gaming technology are integral to crafting responsive sculptures that change and flow with the movements of passersby, encouraging visitors to slow down, observe, and embrace a mindful, meditative and receptive state. Blending technology with artistic vision, the installation required sophisticated methods to amplify the interactive effect of the light on the glass elements. Skura employed more than 20 Epson laser projectors to illuminate the art pieces, rigging them discretely throughout the exhibit. He worked closely with Freysteinson on content creation, design and production, and with Athavale to coordinate content across all projectors, creating the interactive aspects for each piece using LUMOplay interactive display software. The first piece, titled \u201cShy,\u201d transforms over 500 pieces of wall-mounted hand-blown glass into an undulating array of elusive, twinkling creatures. As the motion slows and quiets around the shy wall, the glass pieces gradually illuminate and come forward to meet and interact with visitors. Sudden movements and loud sounds result in a quick scamper away into the darkness of the black wall. A second piece, called \u201cTelevision,\u201d displays large glass orbs on a wall-mounted board with proportions resembling a flat panel TV. Video content is mapped only on the glass, producing light tendrils and a motion sensor that triggers additional distortion of the image, similar to pebbles in a reflecting pool, when viewers are still and quiet. \u201cSkura\u2019s unique vision, from the colors he has chosen to the sculptural element of his work, explores the contrast between purity and complexity, brightness and darkness,\u201d said Remi Del Mar, senior product manager, Epson America, Inc. \u201cLight is a significant component in his art, and being able to introduce Epson\u2019s projection technology as a source of light in this impressive installation is a step toward the future \u2013 where we see the lines between art, technology and human experience continue to blur.\u201d The \u201cTendrils\u201d exhibit is free and open to the public and will run through Jan. 5, 2020 at the Riverside Art Museum in Riverside, California. ### About Michael SkuraAn architect by training, Michael Skura was inspired by modernist notions of the honesty of materials and simplification of form. His hand-blown glass artwork consists primarily of heavy masses of glass with \u201cbubbles inside bubbles\u201d and is conceived of as large-scale organic wall clusters. Skura studied architecture at the University of Waterloo in Canada, worked for Norman Foster in London, and then moved to New York where he joined international engineering firm Ove Arup. Skura specialized early on in the medium of glass, exploring slumping, fusing, curving, laminating and ultimately glassblowing. About LUMOplayLUMOplay is a complete platform to create, deploy, manage, and analyze interactive retail and education experiences. Their solution includes hundreds of high-quality apps designed for interactive floor, wall, and touchscreen displays, and patented code-free content creation tools for agencies. About RabCupBased in Los Angeles, Rabcup is a full-service tech-driven production company specializing in projection mapping, holograms and unique video solutions. The company is also known for conceptualizing, designing and executing unique and breathtaking experiences. They think outside of the box to develop fresh, unprecedented, and engaging video solutions with projects spanning from theatre, broadcast, film, live events, music touring, festivals, corporate events, retail and museum exhibits. About EpsonEpson is a global technology leader dedicated to becoming indispensable to society by connecting people, things and information with its original efficient, compact and precision technologies. The company is focused on driving innovations and exceeding customer expectations in inkjet, visual communications, wearables and robotics, and leads the field in original microdevices. Epson is proud of its contributions to realizing a sustainable society and its ongoing efforts to realizing the United Nations\u2019 Sustainable Development Goals. Led by the Japan-based Seiko Epson Corporation, the worldwide Epson Group generates annual sales of more than U.S. $10 billion.<\/p>\n","protected":false},"author":66,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[86],"tags":[180],"_links":{"self":[{"href":"https:\/\/www.enxmag.com\/twii\/wp-json\/wp\/v2\/posts\/37946"}],"collection":[{"href":"https:\/\/www.enxmag.com\/twii\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.enxmag.com\/twii\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.enxmag.com\/twii\/wp-json\/wp\/v2\/users\/66"}],"replies":[{"embeddable":true,"href":"https:\/\/www.enxmag.com\/twii\/wp-json\/wp\/v2\/comments?post=37946"}],"version-history":[{"count":1,"href":"https:\/\/www.enxmag.com\/twii\/wp-json\/wp\/v2\/posts\/37946\/revisions"}],"predecessor-version":[{"id":37948,"href":"https:\/\/www.enxmag.com\/twii\/wp-json\/wp\/v2\/posts\/37946\/revisions\/37948"}],"wp:attachment":[{"href":"https:\/\/www.enxmag.com\/twii\/wp-json\/wp\/v2\/media?parent=37946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.enxmag.com\/twii\/wp-json\/wp\/v2\/categories?post=37946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.enxmag.com\/twii\/wp-json\/wp\/v2\/tags?post=37946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}